I like these contrasting views of teenage angst.
…
Joyce, in A Portrait of the Artist as a Young Man.
[...] the light laughter of a girl reached his burning ears. The frail gay sound smore his heart more strongly than a trumpetblast, and, not daring to lift his eyes, he turned aside and gazed, as he walked, into the shadow of the tangled shrubs. Shame rose from his smitten heart and flooded his whole being. The image of Emma appeared before him and, under her eyes, the flood of shame rushed forth anew from his heart. If she knew to what his mind had subjected her or how his brutelike lust had torn and trampled upon her innocence! Was that boyish love? Was that chivalry? Was that poetry? The sordid details of his orgies stank under his very nostrils: the sootcoated packet of pictures which he had hidden in the flue of the fireplace and in the presence of whose shameless or bashful wantonness he lay for hours sinning in thought and deed: his monstrous dreams, peopled by apelike creatures and by harlots with gleaming jewel eyes: foul long letters he had written in the joy of guilty confession and carried secretly for days only to throw them under cover of night among the grass in the corner of a field beneath some hingeless door or in some niche in the hedges where a girl might come upon them as she walked by and read them secretly. Mad! Mad!
Or, the willing filth of Roth, in Portnoy’s Complaint.
Then came adolescence–half my waking life spent locked behind the bathroom door, firing my wad down the toilet bowl, or into the soiled clothes in the laundry hamper, or splat, up against the medicine-chest mirror, before which I stood in my dropped drawers to I could see how it looked coming out.