let me tell you what i’m made of.

December 27, 2009 by thisboyis

band of skulls – i know what i am.



Slap a cigarette between those lips, sugar, and let me tell you what I’m made of. I had me one of them baby-daddies that worked to please, he kept that there mama in a sweet house with a kitchen that’d have you squeal. That there baby-daddy knew the deal, he knew the way the world turned. In his world you had the man in the middle, a tall fucker with a furry navel and one of them quiffs collected on a head. Them men didn’t wear tweed, it was all leather trimmings and loose boxers, and if she was a respectable broad, he wouldn’t change a damn thing. Them women knew their place, talk when asked, start the day on two knees, and when thrown down, howl like life might end. Hot wheels and white t-shirts pulled tight, men like my old man didn’t dance, didn’t open the damned door before you stepped onto the green, and they sure as hell didn’t want to hear about your god damned problems. You spent the day in the bathroom crying over some old codger who didn’t call you back? Keep it in the cubicle, sugar. You see here, I’m a man from another time.

not the same as you used to be.

December 25, 2009 by thisboyis

beach house – used to be

The internet thinks you’ve only got two weeks to live. Maybe a month at most. Your better half’s had this idea, to flee. Pack up, fit whatever you can in the front seat. Get in the car, first gear and foot pressed flat. It’s better that we don’t take that internet with us, him and his grand ideas. Just close the door, turn the key, leave him settled at unawares. It’s better this way. You’ve got that book on the front seat, some Nick Cave attempt at prose–another in the dying breed of men. Slapped together with a forest of hair and an inelegant sneer. They don’t make them like that anymore. Page one, he closes his eyes as he pulls down some remembered pussy, a bottle of motel spirits spilt down the throat. A hacked cough precedes the presence of a prostitute between his thighs. We’ll take Nick with us, drive till the road signs switch and the language turns to gibberish. We’ll find another country, not ours, not his, and an ocean to lap against the door. We’ll have ourselves that well-set scene for an ending. The man and book stopped at the sand’s edge, a trail of socks and sleeves leading into surf and the crashing blue.

you sound like a missed connection.

December 13, 2009 by thisboyis

We’ve had our minute, well spent by all accounts.

Michachu – Sweetheart:

the becoming.

December 9, 2009 by thisboyis

young galaxy – queen drum.

They look good together. Him with the neatly shorn hair, the fifty-dollar cut that sees to his back and sides. Stepping into her stance, he slides one leg between hers and lays his arms to rest on her shoulders. There’s a conversation going on beyond them, to them; this other kid, a little smaller, with hands settled onto the round of his stomach as he spells out some elaborate story involving a motorcar and his mother. They’re nodding, not listening. Where the source expects laughter, the woman offers up the false replace, “How funny!” Him, the man she chose, digs his fingers into the flesh of her shoulders, rolling across the muscle in counts of three. Settling his head a little closer, he inhales her offer, the necessary scents she dips herself into for his pleasure. She thinks she chose him, thinks his neatly coloured shoes and intellectual snout were incidental traits, that his pectoral mass and lightly trimmed navel trail were nature’s fittings. She thinks of that day they first met as some miraculous event, the dichotomy of chance and choice wearing the desired head, torso, arms and feet. None the wiser, he thinks, his nose rubbing up against the release of her hair from its elastic snare. It was a truth the systematic man kept in his shoe, beneath the left foot, crumpled up and pressed against his heel.

dublin.

December 2, 2009 by thisboyis

Dublin sometimes felt like a secret, suffocated beneath nature’s sheets, and James had always marveled at this on flights back home–where you’d leave the blue of thirty-eight thousand feet, and descend through this soup stirred grey, and there, out of nowhere, his little land would show its face. The cliffs that decorated its outer edge, splashing waves spurning the homes of those who chose to live with a view. The patchwork quilt that wove its way across the landscape, imagined farmers skirting through irrigation rows and ramshackle roads, followed closely by border collies and sheep. Beyond that, the lines of houses turned to formation, every house exactly the same, the sort where doors held no secrets–where they opened through sliding receptions, into hallways that led up stairs to bedrooms, or turned corners to kitchens that folded into dining rooms and studies. Little gardens in the front, pressed together with patches of green and bare earth, a likely bushel of flowers planted beneath the main window; and mothers would be out with their yellow gloves and functional frocks, wearing watering cans and waving hands at their passing clan.

He could see the heads of buses rounding corners, and imagined the sour faced drivers with their huffs, gruff and terse. And in the back, in rows of two, the ever-present pensioners consumed with quiet, heads down, faces pursed with a pained wince. Momentary life would burst as a church came into view, heads still at unawares, but hands flying into blessings across the shoulders, stomach and forehead. The bus was a cross-section, the set for modern life. The African immigrants, decked out in pink tracksuits, oversized, they’d find the back row on the first floor, splayed bodies onto seats. The mother would always be chewing gum, mixing in some local tongue with a well learned, “shut your face.” Rounding estates would always tip the the space, as stroller-pushing children stepped inside, fifteen year olds who saw fit to force a state income through ovarian ways. They too would have their look, bleached blonde hair, coloured black beneath the fringe, framing brass hoop earings as they swayed from ears. Sporting goods would sell their look, and to an accidental eye they’d exclaim, “Well Jaysus girl, wouldjas look at dat?”

throwaway days.

November 2, 2009 by thisboyis

My mom pulled out some picture the other month, this baby snap. I looked real small, breakable. I remember being that kid. Those chubby cheeks, the sort old ladies yanked as they pleased. I was blonde then too. Chipper looking, at least compared to the sodden brown-haired boy I’ve since become. I stole the photo off to my bedroom that night, kept it inside a history book on ancient Rome. Page twenty-two, before the death of Julius Caesar. I sometimes pull it out before going to bed, stare at it, think through everything he’d have to go through to get to me. You don’t know shit before adult teeth and armpit hair; it’s life seen from the center of a pram, staring up at chins, ever ready for that spoonful of mashed food. Maybe I was just happy knowing things were simpler before I grew sixty-odd inches, before the notches my dad carved into the wall racked up like a ladder into manhood. Things haven’t been easy for me, what with my parents always moving around. This latest place is the worst yet—some rotten town in the middle of nowhere, and my fourth school in three years. There’s this American kid in my class, Tom, and the first thing he shouts when he sees me, “Guys! Check out the new kid, buck-teeth! And what a god damn noggin!” Swell, new town, same crap.

the commoditization of friendship.

October 28, 2009 by thisboyis

“Technology has established it as a luxury, rather than a disorder, that we do not as often have to deal with the physicality of people—to watch and be watched as facial expressions and body language unfold in reaction to words. Instead, we stare at phones and bring our laptops to bed. We give ourselves anxiety trying to decipher the tone of a text or the meaning of a tweet’s punctuation. Some relationships thrive online, only to be dismantled by awkwardness over dinner. Technology encourages us to be bold, but traditional social interaction leave us feeling awkward. The physical equivalent of ignoring a Gchat is to stare at someone blankly after they’ve said “Hello,” then walk away. It would be incredibly inappropriate to do the latter, but is perfectly acceptable to do the former. In the physical world, we can’t snap our fingers and disappear, but on the Internet, we are invisible until we declare ourselves otherwise.”

An excerpt from the essay, “Surfing Alone: Is Digital Technology Destroying Relationships?” by Liz Colville.

Show me a burgeoning woman, bursting with flesh from tank tops and jeans, and I’ll show you male anxiety caked in social fears. The physicality of people is frightening, the expectation that wears on a face as it awaits an immediate response. There are learned nuances that underscore physical interaction, some that serve as red flags, others that have us reeling in the other—and all are behaviors built by trial and error. Some through watching the frown a girl might endow to eyes on her chest, and others from the twitching hands of a nervy man. Today we have a generation exposed to social technologies from a young age; a generation sheltered from the nuances of social grace—playing up the behaviors described in Colville’s article. This is a population that has had a significant portion of its social interaction committed online. Where “technology encourages us to be bold” it also influences how we interact in a physical setting—particularly when those boundaries are ever more blurred, with any array of digital devices tethering us to our internet at all times. It’s a changed etiquette we find imposed on our physical interactions; and one that, to date, has been largely unquestioned. We’re only ever jolted from this norm when hanging out within someone from another age, sitting down with a parent who finds our repeated infringements with a phone to be wholly untenable. But as we age, we impose and it spreads.

The example the author offers is of someone blocking a friend on GChat, happy that this action is as implied in person as it is with a right-click. We commit these actions to people without care for the expression that wears on their face. The author states, “Technology encourages us to be bold, but traditional social interaction leaves us feeling awkward.” Where I contest this point, is that I believe this awkwardness no longer negates the so-called “bold” behavior. The internet of five, six years ago was less integrated with one’s social life—the interactions therein were mostly anonymous, spent on browsing web sites, or contributing to bulletin boards. These bolder personalities were set against an unknown backdrop, actions thrown into the black hole of human despair. Now, however, most everyone we socialize with exists in our physical space (think to social networking, email, instant messaging, etc.). So whilst we are aware of the awkwardness that our actions impose, we’re less likely to refrain from committing them. These have become well practiced behaviors—”I blocked her once, ran into her in a cafe, realized I didn’t care”. Call it what you wish, desensitization, the break of youth.

Or maybe that boldness, the willingness to bring into play these inappropriate behaviors is symptomatic of the commodification of friendship by social networks. It’s an oft-described trait of the modern age that we’re a distracted sort, jumping from one activity to the next. And it’s become somewhat true of our interactions with people too. Today we have five hundred friends or more on Facebook, and any array of means to get in touch with them. The relative value of a single friend is less within this context—my network can absorb the blow. New media technologies lower barriers and offer up connections on a plate, is it such a stretch to suggest they might be devaluing the depths of true friendship?

there’s a cigarette in my smart phone.

October 22, 2009 by thisboyis

The smart phone is the cigarette of today’s generation. Always in hand, occupying a nervous moment, allowing us to escape the inevitable chatter of friends. I can think to times spent sitting in a bar with two of my closest female friends, each clasping a drink with the left hand, clicking through online landscapes with the right; content to remain silent, devoid of eye contact, sipping beer. I could bother to lift my chin and ask each to describe their day, find out why their boyfriends ditched their asses and left them with me—but I already know. Cynthia had some array of twitter updates rolling in through the hours of 1 and 4pm, and Rachel was emailing me on and off for the remainder of the day. No, we’d rather sit in silence and reach out to everyone else we’ve ever known. This is the essence of life today. Lived in and around the physical domain; experienced through the ends of our fingers on phones. Where the cigarette once occupied the void, pulling the person from their crowd with each inhale, now sits the harassment of data in the air. It’s the great irony of the social networking age, that as we become ever more connected, we become less physically present.

It’s interesting to consider the changed place of cigarettes within society. Once the bastion of social interaction, where the fuse centered on the man with the packet, or the girl with the light. Today they’ve become a social stigma, and an ill-considered attribute to any person. I remember my dad being a big smoker, and I can’t really think to a childhood photo that doesn’t have him shirtless with a fag draped from his lips. He’d smile, snap, converse, and cater to dinner; all the while that shifty white stick remained still, firmly planted. He’d have smoking friends too, these pals that would come over for dinner. At some point he’d whip out a box of Camels and light up, the packet passed hurriedly around the table, each man gruffly exclaiming, “Ah Brendan! You’re a gentleman and a scholar you are!” There’d be little talk once the light hit the tip. Silent reflection, and these passive faces that sat back in satisfaction as the smoke sucked in. Then at some point, years later, the teacher with a socialist agenda had the kids raise their hands in class, “If daddy’s been smoking around you, let me know!” Two months down and daddy’s sitting outside during smoking time, puffing away defiantly behind the glass doors—throwing his kids that knowing glare. But mom’s in on it too, pregnant for the fourth time, and reading articles about the dangers of second-hand smoke. Tells the dad this won’t do, “Not near our kids, not outside, not anywhere on this land. You’ve got to quit.” So dad finds himself in a bar, puffing away with society’s driftwood, making friends through shared misery and cold beer. This ain’t so bad, he thinks to himself. But the hand of political intervention slaps it from his mouth, tells him to step outside and exhale, “but not within fifteen feet of the premises, dear sir.” Dad’s upset, thinks his time might finally be up; he’s ready for the patch, or whatever fad the television slaps on. But what’s this? Attractive women, short skirts, and a social phenomenon the newspapers call, “smirting?” Flirting outside of bars while you smoke—“Ingenious”, he roars!

Luckily for my dad, today’s smokers weren’t pushed beyond the pavement. They remain outside, though a little more shifty in appearance, with social pressures having picked off the finest from their litter. For most of us however, the cigarette is obsolete, and smart phones now occupy that hand. Between breaths they sit stacked on a table in much the same way we’d leave cigarette packs, serving as a simple illustration of character. Back then the simplicity of boy meets girl began with a shared puff, the space between them illuminated with smoke and discovery, en route to flesh-on-flesh. In bars today that dynamic is familiar, but different. Now we have Bob looking at Jill, throwing a knowing glance between her iPhone and eyes, before adding, “I switched last month too. It’s just a better user-experience, isn’t it?” Jill smiles back, happy that Bob noticed her recent change of habit, and thinks this man might be worth a stalk. Pausing, she picks up her new purchase and checks through his profile on Facebook and Twitter. She’s pleased to discover he’s twenty-six and a Pisces, and that he works for a corporate think-tank and quotes Ayn Rand. Flicking through his photos she curls her mouth at the idea of his threatening lips and deep-set eyes, happily noting the lack of alcohol fueled endeavors so often the display of boys her own age. Feeling neglected, Bob pulls out his own phone and searches the internet for dear Jill—smiling as he stumbles across her picture from a party the night prior, happily noting how much better she looks online. Bob thinks he might be in with a solid shot till he stumbles upon her collection of “Summer pictures 2009!” There’s a God awful series with this man, Jimmy Rod; Harvard, MBA, and socialite twat. Good looking too, he reckons. Bob decides to forefit and run.

Where the cigarette made the holder seem aloof, the smart phone serves to sever their inclusion entirely. Leaving them to day-dream by way of status updates and conversation threading; every so often returning to the present to pull down some snapshot or textual treat. Cigarette smoke may have been an unfavourable imposition, but at least the person blowing it in your face would make eye-contact.

smile.

October 21, 2009 by thisboyis

Hey Marseilles – Goodbye Versailles.

“It’s a photograph. Or a series of photographs, I should say. Think of a relationship, think of its entirety, but illustrated with three simple shots: the before, during, and after. The first is easy, dreamy as they come–as it is when two people meet. You know what I mean, the over exposed light, a delicate lens glare that weaves across the scene. They’re at some random party, never met before, both lavished by the hand of the hosts open bottle. He and she, your average boy and girl; he and she, and everyone’s looking at them thinking the same thing. A random camera snaps. The beginnings, captured. And in the photograph they’re looking at each other, eyes affixed. They look happy, consumed with curiosity, that fearless intrigue. And there’s all this space between them, and they want nothing more than to flesh it out, dig in till they discover everything there is to know about the other. Dig till there’s no space at all. Flesh on flesh. It’s absolute possibility, bliss. You look at it now and think wow, there’s nothing that could ever cause that to split.

“Then comes the bit between: the relationship. This is when you’re in it, where your life is the measure of two toothbrushes in a sink and foreign underwear across the floor. And it has its beauty, the intimacy of a shared meal, a familiar body with its head on your lap. You’re running your hands through that hair thinking, “man, ain’t she the sweet.” But this picture skips on the ethereal glare, and the colours are a little drawn out. You’ve got a half smile and she’s rolling eyes. It’s still good, right. But it’s real, heavy, hard. And there’s this back-story that sets itself against the happy coupling, it hints at the crack, the ending you’ll likely enact. Then the camera’s put down, the moment snapped, and she’s off fucking the ex-boyfriend like you always knew she would.

“But it’s the final picture that’s most telling, after the end. It’s you and she back in a room together, but separate. And all that space between you is back, filled to the brim with everything that pushed you apart. All the fights, the delicate touch of her fingers on your back. The way she’d dance unhindered when you were near, forever insisting that there was something about you that had her in a twirl. The lying whims, the ways she’d disappear for days and more. The slapping fits that ended with her on the floor and you crying, “Whore!” The final picture is the one you remember most; it’s the one that shows the two people for what they were. The whole, their truth, unearthed.”

an island, indeed.

October 9, 2009 by thisboyis

No man is an island, entire of itself
every man is a piece of the continent, a part of the main
if a clod be washed away by the sea,
Europe is the less, as well as if a promontory were,
as well as if a manor of thy friends or of thine own were
any man’s death diminishes me, because I am involved in mankind
and therefore never send to know for whom the bell tolls
it tolls for thee.

John Donne.